Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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frederick carl frieseke
Nude Seated at Her Dressing Table

ID: 89549

frederick carl frieseke Nude Seated at Her Dressing Table
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frederick carl frieseke Nude Seated at Her Dressing Table


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frederick carl frieseke

American Impressionist Painter, 1874-1939 was an American Impressionist painter. He was born in Owosso, Michigan and studied at the School of the Art Institute of Chicago and the Acad??mie Julian in Paris. Frieseke and his family resided for fourteen years in Giverny, which was also home to Monet. He had a great influence on the Americans at the colony there,  Related Paintings of frederick carl frieseke :. | Mis.Frederick in front of the window | Le Pouldu Landscape | Woman in a Garden (nn02) | Summer (nn02) | Nude Seated at Her Dressing Table |
Related Artists:
Jules-elie delaunay
French Neoclassical Painter, 1828-1891
James Otto Lewis
1799-1858
Adriaen Van Utrecht
Flemish Baroque Era Painter, 1599-1652 Flemish painter. He was apprenticed to Herman de Ryt in 1614 and later visited France, Italy and Germany before returning to Antwerp by 1625. He painted pantry scenes, farmyards with poultry, fish markets, game pieces, garlands and diverse still-lifes of fruit and vegetables. Game paintings are most frequent and reflect the influence of Frans Snyders. Adriaen adopted the same abundant displays of game, fruit and vegetables, usually set on a table parallel to the picture plane. Compositions typically fall in horizontal and vertical lines in contrast to the dynamic diagonals of Snyders. In large works, such as the Still-life with Game, Vegetables, Fruit and a Cockatoo (1650; Malibu, CA, Getty Mus.), Adriaen's accessories overflow the table on to the floor below. Baroque devices, such as a sweeping curtain and background window view, add movement and depth. Van Utrecht favoured warm earthen tones, especially grey-green, and a strong chiaroscuro light in his still-lifes; the latter may derive from his knowledge of Italian painting. The artist's style changed little during his career, save for the gradual elimination of figures in his paintings. The influence of Jan de Heem and Jan Fyt can also be seen in his later work.






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