Thomas Sully Galleries
Sully became a professional painter at age 18 in 1801. He studied face-painting under Gilbert Stuart in Boston for three weeks. After some time in Virginia with this brother, Sully moved to New York, after which he moved to Philadelphia in 1806, where he resided for the remainder of his life. In 1809 he traveled to London for nine months of study under Benjamin West.
Sully's 1824 portraits of John Quincy Adams, who became President within the year, and then the Marquis de Lafayette appear to have brought him to the forefront of his day. (His Adams portrait may be seen in the National Gallery of Art, Washington.) Many famous Americans of the day had their portraits painted by him. In 1837-1838 he was in London to paint Queen Victoria at the request of Philadelphia's St. George's Society. His daughter Blanche assisted him as the Queen's "stand-in", modeling the Queen's costume when she was not available. One of Sully's portraits of Thomas Jefferson is owned by the Jefferson Literary and Debating Society at the University of Virginia and hangs in that school's Rotunda. Another Jefferson portrait, this one head-to-toe, hangs at West Point, as is his portrait of Alexander Macomb (American general).
Sully's own index indicates that he produced 2631 paintings from 1801, most of which are currently in the United States. His style resembles that of Thomas Lawrence. Though best known as a portrait painter, Sully also made historical pieces and landscapes. An example of the former is the 1819 Passage of the Delaware, now on display at the Museum of Fine Arts, Boston. Related Paintings of Thomas Sully :. | This text was adapted from Davis | Mrs. Katharine Matthews | Sheet of figure studies | Portrat der Eliza Ridgely | MaryAnnHeideNorris |
Related Artists:Mather Brown
American Painter, 1761-1831
was a portrait and historical painter, born in Boston, Massachusetts but active in England. Brown was the son of Gawen and Elizabeth (Byles) Brown, and descended from the Rev. Increase Mather on his mother's side. He was taught by his aunt and around 1773 (age 12) became a pupil of Gilbert Stuart. He arrived in London in 1781 to further his training in Benjamin West's studio, entered the Royal Academy schools in 1782 with plans to be a miniature painter, and began to exhibit a year later. In 1784 he painted two religious paintings for the church of St Mary??s-in-the-Strand, which led Brown to found a partnership with the painter Daniel Orme for the commercialization of these and other works through exhibition and the sale of engravings. Among these were large paintings of scenes from English history, as well as scenes from Shakespeare's plays. However, despite their success he began to concentrate on portraiture. His first successes were with American sitters, among others his patron John Adams and family in 1784?C85; this painting is now in the Boston Athenaeum. In 1785?C86 he painted the first portrait of Thomas Jefferson, who was visiting London. He also painted Sir William Pepperrell. His 1788 full-length portrait of Prince Frederick Augustus in the uniform of Colonel of the Coldstream Guards led to appointment as History and Portrait Painter to the Prince, later the Duke of York and Albany. Other paintings include the Prince of Wales, later George IV (about 1789), Queen Charlotte, and Cornwallis. A self-portrait now belongs to the American Antiquarian Society, Worcester, Massachusetts. A falling off of patronage in the mid-1790s, and failure to be elected to the Royal Academy, led Brown to leave London in 1808 for Bath, Bristol, and Liverpool.Peter Parler
German Gothic Era Sculptor,
1330-1399,was a German architect, best-known for building Saint Vitus Cathedral and Charles Bridge in Prague, where he lived from about 1356.
His father, master builder Heinrich Parler (the name deriving from "parlerius", speaker and head of the masons), had moved to Schwäbisch Gm??nd from Cologne, to lead the reconstruction works of the Holy Cross parish church. Members of the large Parler family worked in construction works around all of Europe.
Peter Parler became the master mason of Saint Vitus Cathedral in 1352, after the death of its original architect, Matthias of Arras. Apart from the cathedral, he was the main designer of the New Town of Prague and built Charles Bridge and its towers. In the Royal Palace of Prague Castle, Parler built the All Saints' Chapel. After the fire of 1541 it was redecorated in the Baroque style.
He was apparently the architect of the Church of Our Lady (Frauenkirche) built in the market square of Nuremberg, to replace the synagogue torn down in the pogrom of 1349 following the plague. Between 1360-78 Parler built the chancel of the St. Bartholomew church in Kolin. He died in Prague in 1399, and was buried in the St. Vitus cathedral. His work was continued by his sons Wenzel and Johann.
Dutch Baroque Era Painter, 1624-1673
Painter and draughtsman, brother of Carel Fabritius. Like Carel, he was first taught painting by his father, also learnt carpentry and practised as an artisan in Midden-Beemster in 1641. He is documented in Amsterdam in 1643 and 1647, though it is not known if, like his brother, he was also a pupil of Rembrandt. Nevertheless, his style is similar to that of the Rembrandt school. He must have been trained in the second half of the 1640s. His work is reminiscent of the style of his brother, who clearly influenced and may also have instructed him. In 1652 Barent lived in Amsterdam and married Catharina Mussers in Midden-Beemster. In the following years he is documented alternately in Midden-Beemster and Amsterdam. He painted a group portrait of the town master builder, Willem Leenderstsz. van der Helm and his Family (1656; Amsterdam, Rijksmus.), in Leiden, and in 1660-61 he received further commissions for the Lutheran church in Leiden. From 1669 Barent lived with his family in Amsterdam, where he died at the age of 49. He was buried in the churchyard in Leiden that was usually reserved for the poorer inhabitants of Amsterdam.