Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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SASSETTA
Madonna and Child Enthroned with Four Angels and SS.John the Baptist,Peter,Francis,and Paul

ID: 29773

SASSETTA Madonna and Child Enthroned with Four Angels and SS.John the Baptist,Peter,Francis,and Paul
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SASSETTA Madonna and Child Enthroned with Four Angels and SS.John the Baptist,Peter,Francis,and Paul


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SASSETTA

Italian Early Renaissance Painter, ca.1390-1450  Related Paintings of SASSETTA :. | Miracle of the Eucharisty | The Mystic Marriage of St Francis (mk08) | Madonna and Child Enthroned with Four Angels and SS.John the Baptist,Peter,Francis,and Paul | St.Anthony Beaten by Devils | St. Antonius and St. Paul mote |
Related Artists:
Wenceslaus Werlin
Wenceslaus Werlin (died 1780) was an Austrian painter. Werlin specialized in portraits. He died in Florence in 1780.
Edwin Blashfield
(December 5, 1848 - October 12, 1936), an American artist, was born in New York City. He was a pupil of Leon Joseph Florentin Bonnat in Paris beginning in 1867, and became (1888) a member of the National Academy of Design in New York. For some years a genre painter, he later turned to decorative work, where his academic background in painting and extensive travels to study fresco painting in Italy melded in work marked by rare delicacy and beauty of coloring. Considered a leading muralist of the late 19th century, he painted mural decorations or created mosaics in a number of places associated with the American Renaissance period. His style is cited as an influence of Pierre Puvis de Chavannes, Jean-Paul Laurens, and Paul Baudr. With his wife he wrote Italian Cities (1900) and edited Vasari's Lives of the Painters (1896), and was well known as a lecturer and writer on art. He became president of the Society of Mural Painters, and of the Society of American Artists.
Cazin Jean-Charles
French landscapes painter and ceramist , 1841-Le Lavandou 1901 Painter and ceramicist. His earliest paintings reveal close affinities with the realist tradition, while his later compositions (mostly landscapes of northern France) demonstrate an awareness of Impressionism and a commitment to recording the changing effects of light and atmosphere. He was sent to England for health reasons but by 1862 or 1863 was living in Paris and active in avant-garde artistic circles.






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