Nicolas de Stael
was a painter known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles Nocolas de Stael was born in the family of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Stael von Holstein family, and the last Commandant of the Peter and Paul Fortress) and his wife, Olga Sakhanskaya. De Stael's family was forced to emigrate to Poland in 1919 because of the Russian Revolution; Both, his father and stepmother, would die in Poland and the orphaned Nicolas de Stael would be sent with his older sister Marina to Brussels to live with a Russian family (1922). He eventually studied art at the Brussels Acad??mie royale des beaux-arts (1932). In the 1930s, he travelled throughout Europe, lived in Paris (1934) and in Morocco (1936) (where he first met his companion Jeannine Guillou, also a painter and who would appear in some of his paintings from 1941-1942) and Algeria. In 1936 he had his first exhibition of Byzantine style icons and watercolors at the Galerie Dietrich et Cie, Brussels. He joined the French Foreign Legion in 1939 and was demobilized in 1941. Related Paintings of Nicolas de Stael :. | Landscape | Dance | Landscape | Cube | Prince Park |
Related Artists:Benno Adam
(July 15, 1812, Munich - March 9, 1892, Kehlheim) was a German painter.
He specialised in animal portraits and market and hunting scenes.
He was the son of painter Albrecht Adam.
Antoine de Favray
French, 1706-died circa 1791,French painter. He is not documented until 1738, when he was mentioned as a private pupil of Jean-Fran?ois de Troy (ii), who was then director of the Acad?mie de France in Rome; in 1739 he became an official student at the Acad?mie. Among his student works is a copy (untraced) of Raphael's Fire in the Borgo (Rome, Vatican, Stanza dell'Incendio), which was mentioned by Charles de Brosses and exhibited in Paris in 1741. In 1744, for reasons that are not clear, he left Rome for Malta, remaining there for much of the rest of his career and devoting himself primarily to portraiture and genre painting. His ambition as a history painter, however, was fulfilled to a certain extent as a result of the patronage of two Grand Masters of the Order of the Knights of Malta, Manoel Pinto da Fonseca and Emmanuel de Rohan. His first dated picture executed in Malta is a Portrait of a Maltese Lady (1745; Paris, Louvre).